在这100分钟里哭了无数次与Luca截然不同它并不延续石墙运动后欧美男同的解放历史叙事性功能障碍怎么治疗也不论证showing yourself的困难:没有人对being a red panda惊讶(child这个概念本身是non-heterosexual的)而是讨论如何对抗化身为“母亲”Ming的父权制和作为monster的Luca不同Mei是choose to be queer而不是born to be gay象征queerness的redness意味着“愤怒”是打破正统的威胁但sisterhood是不让自身在反抗中迷失的动力当最后粤语咒语和English pop相互交叉时它试图指出如何作为在欧美对identity后殖民主义的叙事下找到自身的落脚点:不需要割舍历史性功能障碍怎么治疗也不必成为俄狄浦斯
3 Sundance #3; Ishiguro gives Ikiru a sprinkle of poignancy distinctive in his literary works, and his screenplay successfully transplants this story to 1950s England, a period the director replicates aptly both in its appearance and its texture. However, Living does feel rushed at times and inevitably lives in the shadow of its Japanese counterpart. The first half of the film gives too little time to establish the setting, so while the life of Mr. Williams stands on itself, the final satire on the British bureaucracy comes especially less pointed and even disjointed from the rest of the film. Certain actions also feel out of space and added simply for being faithful to the original film